This lovely work is a variation or a study for the corresponding large work exhibited at the National Gallery. It shapes the figure with formal purity, highlights it prominently with the use of the intense color contrast of the background-figure and with its familiar abstract design gives it color and formal purity. The avoidance of features with schematic rendering brings back to our memory the studied primitivism of its forms with which he succeeds in monumentalizing the form but through a poetic humanistic approach.
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